I think one of my favorite things about knitting socks is that I can do anything I want with them. I have a template in my head now, and I don't have to sweat the details of "what gauge?" or "what needles?" or even "what toe?" and "what heel?" I know when I start out how those things are going to roll: toe up (no need to really worry about gauge), usually on 2.25 mm needles, short row heel. With the basics on autopilot, I can focus on other things, namely, what yarn and what stitch pattern I want to use.
I've been lucky to have a long running yarn trade with
Emma. It was Emma, in fact, who helped to give me a big push in the sock knitting direction by sending me my first sock yarn and providing me with a bit of on line knitterly encouragement. Emma's recent boxes have focused on sock yarn dyed in the UK and I've loved everything that she's sent along. Unfortunately, I had knit with almost none of it. Not because I couldn't think of anything to do with it, but because I was worried that what I would do with it wouldn't do it justice. Recently, however, I was able to remind myself that sheep aren't, in fact, going extinct and that even if I just knit plain stockinette in the round socks, I would still be giving myself (or someone else) something quite enjoyable to wear, which is all the justice any skein of sock yarn should really need.
Lately I've been thumbing through my stitch pattern books looking at textures. I think most textures are a challenge for me because 1) they involve purl stitches and 2) they often don't go well with hand-dyed or self striping yarn. Don't get me wrong, I am perfectly capable of making a respectable purl stitch, but I find they slow me down when making socks so I often avoid them except for the ribbing at the cuff. But I'm trying to work at being a bit more of a process rather than strictly product knitter these days, and so I decided that this time I would pick one of the more complicated looking stitch patterns that I had my eyes on.
Of course, I decided that the pattern I picked was really incompatible with most of my hand-dyed yarn.I was going to need something reasonably light in color and mostly the same color in order for the texture to show itself off. My feeling about pattern is that there is no point knitting it into a garment if the yarn obscures it. And thus, it was, that the perfect yarn for the pattern I wanted to try was a skein of
Oxford Kitchen Yarns sock yarn in the most lovely orangey fall "marmalade" colorway. According to the label this yarn is 100% British Blue Faced Leicester, which adds to the interest for me, because I haven't ever made socks out of BFL before.

I'm afraid this photo doesn't entirely do justice to the subtle and lovely variations in this yarn. It has a more heathery effect up close and in person. I quite like how it carries the texture and shows off the pattern while not getting lost to the pattern stitch.

A little higher resolution on the pattern stitch so you can see all those fussy purl stitches more clearly. The purl stitches do slow the process down a bit, but the result is well worth it for me as they help to create not only texture but also depth.
The first sock is finished and I've cast on for the second. I'll talk a bit more about the experience of knitting with the yarn and the pattern details when the second sock is complete.